WHAT'S SCREAMING NOW
IN THEATERS

Rose of Nevada

THE SEA GIVES BACK WHAT IT TOOK

Mark Jenkin sends George MacKay and Callum Turner to sea aboard a fishing boat missing for thirty years — and brings them home to a past that refuses to stay buried.
Rose of Nevada
FRIDAY NIGHT VHS HORROR / FILM / CULTURE

THE SEA GIVES BACK WHAT IT TOOK

Thirty years after disappearing at sea with its entire crew, a fishing boat materializes in the harbour of a devastated Cornish village.

Its name is Rose of Nevada.

For the people who still remember the vessel, its impossible return looks like a sign. Perhaps sending it back to sea could restore some of what the village has lost. Nick, a young father struggling to provide for his family, takes a place aboard. Liam, a newcomer trying to escape his past, joins him. Captain Murgey takes them out to sea. 

The voyage works.

They catch fish. They return to harbour.

But they haven't returned to the world they left.

The village greets the men as though they are members of the Rose of Nevada's original crew. Somehow, the boat has carried them into the past. In the film, that past is 1993. 

That premise could have produced a conventional science-fiction puzzle. In the hands of Cornish filmmaker Mark Jenkin, it becomes something considerably stranger: a film about time, place, memory and what happens when a community begins to lose the things that once held it together.

Jenkin had carried the image at the center of the story with him for years — a boat suddenly returning to harbour decades after disappearing with everyone aboard. During the pandemic, while production on Enys Men was delayed, he developed that image into the screenplay for Rose of Nevada

The filmmaking itself makes the displacement feel physical.

Jenkin shot the film in Cornwall on 16mm using a clockwork Bolex camera. The camera runs for only about 27 seconds before requiring rewinding. No production sound was recorded on set; the actors re-voiced their dialogue later, while the film's Foley and other sound effects were constructed during post-production. Jenkin also wrote, directed, photographed and edited the film, designed its sound and composed its original score. 

That handmade process matters.

Rose of Nevada doesn't simply tell us that its characters have become detached from their own time. Its grain, fractured soundscape and physical construction make the world itself seem unstable — as though the film we're watching might have washed ashore alongside the boat.

And beneath the supernatural machinery sits a more uncomfortable question.

What if the past really was different?

Not perfect. Not a nostalgic fantasy. Just different enough to reveal how much disappeared between then and now.

Jenkin has specifically resisted romanticizing that earlier world. Discussing the film and its 1993 setting, he warned that nostalgia can distort what came before even while the film allows Nick to recognize things his community has lost. 

That tension is what makes the returning boat such a powerful image.

The Rose of Nevada doesn't merely carry men across the sea.

It carries them across the distance between what a place was and what it became.

Rose of Nevada had its world premiere at the 82nd Venice International Film Festival in 2025 before screening at Toronto, New York and the BFI London Film Festival. Its UK and Irish theatrical release followed on April 24, 2026, with its U.S. theatrical release through 1-2 Special on June 19. 

Some ghost stories are about people who refuse to leave.

This one begins when an entire piece of the past comes home.

“I think it’s dangerous to romanticise the past.”
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THE DETAILS

FILM INFORMATION

IN THEATERS
RELEASE
June 19, 2026
GENRE
Drama / Mystery / Fantasy / Horror
DIRECTOR
Mark Jenkin
STUDIO / DISTRIBUTOR
Bosena / 1-2 Special / BFI
RUNTIME
114 minutes
RATING
Not Rated
THEATRICAL RELEASE
Limited Theatrical Release
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